Chair of the Romantic Novelists’ Association

Chair of the Romantic Novelists’ Association

The Romantic Novelists’ Association are delighted to announce that Seána Talbot, who writes as the award winning author Catherine Tinley, has taken over the role of Chair from Jean Fullerton. Katie Ginger, who also writes as Annabel French and Emma Royal, is the new Vice Chair. Both Seána and Katie are Directors of the organisation. 

The announcement was made at the Romantic Novelists’ Association’s (RNA) Annual General Meeting (AGM) which was held during the RNA’s conference. The AGM also saw Directors Jean Fullerton, Sue Merritt, who writes as Virginia Heath, and Andrea Davies, who writes as Lily Watson, stand down. Three new Directors were elected; Katharine Elliott, who writes as Katharine Light, Lucy Flatman, who writes as Lucy Morris, and Deborah Klée. 

Seána Talbot, the RNA’s incoming Chair said, “I’m delighted to be taking over as Chair of the RNA. Jean has done a fabulous job, and I am ready and excited to lead the organisation at a key time in its history.”

Seána added, “Jean, Sue, and Andrea have made a huge difference to the RNA. Jean Fullerton has been volunteering since 2006, she developed RNA Learning, and was a highly effective and caring chair of the association during a period of challenge and change. Since 2019, Sue Merritt has been contributing her considerable organisational talents to make the RNA’s events and parties go with a bang. In 2023, Sue took on further responsibility, leading our conference into a new era. The conference is a much loved part of the RNA world as the five star feedback from last year’s delegates proved. Andrea Davies led RNA Learning, organising and coordinating numerous courses and workshops on everything from craft to marketing. We are grateful to all three of them for their wisdom, commitment, and dedication.”

Seána concluded, “RNA members are also grateful to Katharine, Lucy and Deborah for stepping up to become Directors. We respect and admire the decision of these working writers to volunteer their time to support the writing lives of others. I, and the other members of the Board and Management Team, look forward to working with them to lead the RNA into the next few years.” 

ABOUT THE ROMANTIC NOVELISTS’ ASSOCIATION

The Romantic Novelists’ Association (RNA) is a professional body primarily for writers of romantic fiction. Founded in 1960 to provide a voice for romance authors and to be a network for writers, it continues to raise the prestige of romantic fiction and encourage romantic authorship. Their 900+ membership includes writers across the spectrum of commercial and women’s fiction, along with publishing industry professionals, booksellers, and book reviewers. In addition to organising annual publishing awards, they also host a range of workshops, talks, networking events, a three-day annual conference, and provide support to unpublished authors through their New Writers’ Scheme.

RNA Directors, President, and Company Secretary 2024-25

Picture shows RNA Directors, President, and Company Secretary 2024-25

Romance Matters – no more sneering!

FeaturedRomance Matters – no more sneering!

Those of us who love romance – writing it, reading it, watching romantic TV shows or films – can sometimes feel rather ‘sneered at’. Romance often seems to generate snobbishness from some who prefer literary forms they consider more pure, more worthy, or simply ‘better’. Interestingly, this seems to happen not just to romance but to other perfectly valid genres such as science fiction and fantasy.

Does it, though, happen more often to genres read mostly by women? ‘Chick lit’, ‘women’s fiction’, and ‘romance’ are sometimes made to feel lesser, and without, in my view, any real justification. The bottom line is that there is no such thing as a bad book. A book may be well-written, or badly-written. It may be subjectively more enjoyable, meaningful, or interesting to a particular reader. That’s fine. My books have attracted a wide range of reviews, from “wonderful” to “didn’t enjoy this at all”. That’s also fine. [I do try not to read negative reviews though, as they do sometimes dent my confidence.]

Review of ‘A Waltz with the Outspoken Governess’. Click the image above to read the first few chapters for FREE

So when I was asked to take part in a BBC documentary exploring what it’s like to write for Mills & Boon, I hesitated. What would the tone be? I asked. They assured me that it would be interested, light, respectful, and that there was no intention to poke fun or criticise romance. So I agreed, as did my two fellow M&B writers from N Ireland – Lynne Graham and Karin Baine.

I was interviewed in the Lisburn Road Library in Belfast by the lovely Eithne Shortall, herself a published writer, with some follow up (socially distanced) filming at my home a week or so later. I was reassured by Eithne’s line of questioning. She did ask the feminism question but was respectful, genuinely interested, and I saw it as a chance to counter some of the inaccurate messages that are out there.

While the documentary was at the editing stage, the promo began. The Belfast Telegraph contacted all three of us for a feature piece, which was reassuringly positive (despite an assumption that romance writers must naturally be addicted to demonstrations of romance in their own relationships 😀 ).

Click the image above to read the Belfast Telegraph article online

BBC Radio Ulster then got in on the action, and I did a short interview with writer and comedian Nuala McKeever, who began by asserting that romance is often met with eye-rolling. This, naturally, fired me up, and we went on to have a great chat about it all.

Click the image above to listen to the interview

Finally, the documentary itself aired. I must say I thought they did a great job. Lynne Graham (legend) came across really well – humble and grounded despite her phenomenal success. My friend Karin Baine did a great job talking about her work, and the editing didn’t make me look totally foolish. I’d call that a win!
My thanks to Feargal O’Kane, Eithne Shortall, and the whole crew.

Click the image above to play the documentary – will only work in BBC jurisdictions!

It has now been announced that Bridgerton is the biggest ever new series on Netflix, with a staggering 82 million viewers so far. This is especially exciting to me as a writer of historical romance – and Regency Romance in particular. People like this stuff!

Bridgerton, December 25 on Netflix

Romance is one of the top genres in fiction. A Mills & Boon/Harlequin book is bought somewhere in the world every ten seconds. People like it. There is no formula to the writing, beyond a central love story and a happy ending. As I tried to say in all of the recent press work, people enjoy a story that helps them feel good, and there is nothing wrong with that. Yes, sometimes we want to read a book or listen to music or watch a film/show that makes us think, or cry, or learn. But sometimes we just want an engaging story that ends with the goodies winning, the baddies getting their comeuppance and the couple together. And what is wrong with that? Not. One. Thing.